>diggin disco deep< is a new, deep-disco orientated offshoot of the successful editors kutz label. the target is locked and its no other than the dusty but not forgotten vinyl chests.

imagined as a sharp contrast and complement to funn citys trashy vintage vibes, darshan jesranis new cylinder moniker sets out to explore the more streamlined, forward-facing side of startrees vision, while sacrificing none of the warmth or funk of its classic influences. disco engine is a futuristic joyride which draws upon late 80s and early 90s techno vibes as much as it does disco and r&b to produce a groove which is warmly insistent, buoyant, sexy and a little menacing.

mnlth, aka dave monolith, returns to weme records with his second ep time part of the final wave of rephlex certified braindance artists, mnlth released his 2011 debut album welcome on the iconic label. time offers 5 tracks, 26.20 minutes total time all tried and tested on dancefloors across europe and beyond by mnlth himself but also his former label boss richard d. james. time was written between 2009 to 2011. its tracks range from the electrocuting feel-good acid anthem that is time, the square bass plucking electro bouncer headlight, rushing melodies and pads from my rush chords and harrier 2, ending with the cheeky happy-go-lucky 808 track, spwint

since its inception in 2009 slow motion has set the standard for new wave of italian dance music producers. with over 15 releases in the archive the italo/berlin based label is now about to drop its first ever compilation italian dance wave. bringing together some of the secret weapons that label boss franz underwear has had tucked away in his record bag with brand new tracks from the likes of clap rules, bottin and riders of the lost arp this compilation packs a mighty punch with its 22 tracks.

since its inception in 2009 slow motion has set the standard for new wave of italian dance music producers. with over 15 releases in the archive the italo/berlin based label is now about to drop its first ever compilation italian dance wave. bringing together some of the secret weapons that label boss franz underwear has had tucked away in his record bag with brand new tracks from the likes of clap rules, bottin and riders of the lost arp this compilation packs a mighty punch with its 22 tracks.

its tempting to concentrate on felixs dickinsons history, his pre criminal justice act rave orchestration, his 10 years djing for the lifeforce parties in japan or any of his djing and touring achievements during the early formation of the uk house scene.

christian viers is fast becoming a prominent name on uk underground house and techno circuits, either as part of lazlo dancehall alongside leon vynehall or his long running a1 bassline project. techno-focused releases on his own label, source unknown captured the attention of the ears behind the newly formed fina white resulting in the bad timing ep, which the label state is a strikingly clear indication of the distinctive direction they plan to take moving forward. title track bad timing is a straight up techno banger whose menacingly melodic low-end tones, relentless thump and rolling toms are the driving force behind its robust and looming groove. without time is a similarly complex percussive cut, but with its jungle inspired arabic horns, trancey synth-lead breakdowns and acid squelches, whilst uk house veteran nail offers a more direct 4/4 take on the track with his typically classy remix.

new label akuba records bringing you the very best in deep, cosmic, soulful & funky african disco music. their debut release includes 2 edits, the a side is gonna tear up the dance floor for sure, its an afro disco bomb, heavy drums, tight guitar licks with added keyboard stabs, some wicked brass and cool vocals, add some dubbed out effects and we have the perfect afro party tune. the b side is a more laid-back affair, cosmic dubbed out afro disco with a very tropical feeling going on, plenty of acoustic and electric guitars, copious amounts of effects and ending with some jazzy piano, a true desert island disc and perfect hula dancing material.

note from herr vunk: yess, boys and girls,its medication time! dark deep oldskool acid techno from heart and soul of rotterdam made by moustache records chief david vunk and long time underground hero mario cyb-x 010 gucci.

relax your body is a killer slice of narcotic, mid-tempo italian heaviness from way back in the late 80s. coming out on italys full time label, an italo disco imprint that embraced the burgeoning house scene in italy, and finding favor across europe and the uk with djs like andrew weatherall, its klf sampling groove and spoken, authoritative, mantra-like lyrics no doubt sound tracked some of the headiest moments in the corners of darkened, dry ice filled dance-floors throughout 1989 and beyond.

joey negros tastemaking and scene defining disco-house label z records is proud to announce its next full-length release, namely a debut album from sean mccabe entitled *it s time*. it is an lp that bucks the modern trend and shows up many of its peers by being one that is made of wholly original material, sounds and ideas, rather than one that leans on tired and classic samples.

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.

the hardest of hardest out of the prspct camp. one of the toughest releases to appear in 2014 by n-vitral and deathmachine! straight up hardcore madness. xtrm music at its best.

after a few years of demand for kons rework of spirit of the party (gimmie the night) its finally here, with two other cuts giving us a triple threat 12inch. love x kon the tune is stripped down to the bone, with quite an epic acapella ending. on star of a story kon hones in on the groove and stretches it out a bit. completely fresh takes on 3 classic tunes, exposing and breaking down instrumentation not heard before.

zyx italo disco collection als 3er-vinyl: ja, ist denn schon wieder 80er jahre? wann gab es zuletzt eine solche sammlung von italo-top-hits auf vinyl? lang ists her. wir präsentieren original-italo-disco-hits in ihren maxi-versionen von radiorama, ken laszlo, duke lake, joe yellow, brian ice, hypnosis, lee marrow, grant miller und vielen mehr! zyx italo disco collection als 3er-vinyl: ein unbedingtes sammlerstück!

after being stuck on dusty old reels since 1978 here comes an alternative cut of *saturday nights the night*, and then boom, its flipped with the killer mid-tempo cut of *i cant turn you loose*.

following the release of little big orchestra last year, good ratio music presents its fifth installment named: the time is now. a four tracker ep that collect forces onto the same piece of wax from kresy, tom ellis, baldo feat. lady blacktronika and carlo.

the third album of depeche mode construction time again (1983) was the first one to include talented band member and arranger alan wilder to the mix. the album was recorded in john foxx s the garden studio in london and mixed in the famous hansa tonstudio in berlin, the latter being famous for its delivery of classic albums by artists like david bowie, iggy pop, nick cave and u2. experimenting with brand new instruments like the synclavier that allowed sampling to be manipulated musically, construction time again was a groundbreaking record that included industrial influences. these influences would come to full fruition on subsequent albums some great reward movlp940 and black celebration movlp947. songs like *pipeline*, *love in itself*, *shame* and *everything counts* turned out to become classic depeche material.
exclusively remastered, pressed on audiophile 180 gram vinyl and housed in gatefold sleeve.

time to express presents its first release of 2014 with a stunning appearance by london-based italian marco shuttle.

the sound of disco rose out of philadelphia in the 70s before being nurtured in new york and later rising to the top of the pops. by 1979 it made its way to india, where it was blended with sitars, tablas and huge orchestras in a wildly inventive, and often boldly surreal, fusion of purab aur pachhim (east and west).

our man daniil marin aka detail from kiev, ukraine returns to commercial suicide with perhaps his best release yet, its fucking unbelievable. detail started making music at 16. influenced by technical itch music, has carved out a niche for himself and stepped up his production skills to create techstep dnb with a dancefloor power. with releases on c.i.a., proximity, etc. support by noisia, the upbeats, break, klute and forthcoming releases on such labels like: symmetry, dispatch, utopia music & demand – detail is definitely one sexy motherfucker.
pressing on transparent, green colored vinyl.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #25: it started in 2009 when a friend rang sleazy mcqueen and asked to *press some of those edits he has been making* and has now reached its 25th vinyl release. time flies when you are having fun - and fun has always been the cornerstone of whiskey disco. back to the roots ep exemplifies the label mission and the disco hippies who cherish it. loops filtered, space rocked and jam band, whiskey disco has made a mark on the edit scene that few can dispute and we have only just begun.

lets continue the macadam mambo edits series with a new ep by notorious digger/dj raphael top secret (creme2lacreme, noncollective). this selection of edits is just totally brilliant!! here are four pure pieces of obscure, magnificent music. no need for extended chit chat, just have a quick listen, its infectious! this belgium resident sure wont keep

groovement has been developing its artistic connection with japan in recent years, so sais integration as a member of the labels on-going group of producers feels nothing short than natural. this first record showcases his meticulous approach to electronic music creation, with 4 original tracks that constitute a strong demonstration of his potential. flying with you” is a collection of tracks with a house matrix feel, sometimes revealing a dramatic pulse other times hypnotic forward thinking moves, but always with a subtle melodic texture that makes it work for the mind, body and soul. in fact, sais music is both luminous and dense, inviting us to embark on a trip but giving us the freedom to dream about our own destination. its a beautiful sense of interaction between the creator and his audience.

remixed with love by joey negro !!

after debuting on the limited hamilton dance records, nycs own time reveals lands itself its first starring role. comprised of marcos cabral and susan domelsmith, their new single let my body is aggressive to say the least. super jacking hardware sequenced analog synth lines backed with chanting vocal loop punishes the dance floor.

valcrond video, the label of brooklyn-based visual artist and producer luke wyatt presents its very first vinyl issue in the shape of two new tracks from torn hawk, one of wyatts aliases. first coming to the fore in a musical sense with a set of distressed guitar and asphalt beat attacks on the lies white label series, torn hawk has been closely associated with ron morellis label ever since with wyatt subsequently working with karen gwyer, secret circuit and willie burns. distancing himself a bit from the grime and grit some associate with his productions, the two new tracks have more in common with the more expansively voiced compositions on emotional response release teen hawk, or the cinematic melancholy of the untitled ep he released under the alias lossmaker. clearly wyatt is building towards housing all his musical instincts under one roof.

simian mobile disco are back with the second in a series of collaborations, following on from sacrifice, their joint effort with bicep. this time theyve joined forces with cosmin trg fresh from his highly acclaimed album gordian on 50 weapons. the fruits of this hard graft in the electronic kitchen of smds studio (to push the food metaphor to its limits) kick off with surstro¨mming. this northern swedish delicacy of tinned, fermented sour herring has the dubious claim to fame of being the most putrid smelling food substance in the world. the burbling, queasy synth tones reflect the effects of this scent on all but the true connoisseurs

borai returns to helm tasteful nudes’ third release, *last time out*, demonstrating his techno chops in two different ways. the title track is all techno muscle, banging out a gigantic piano riff to match the slamming percussion and hypnotic undercurrents. *midnight run* imagines a race through a pitch black city, layering stark pads and sparkling riffs atop its gas-guzzling bass line. both whip the dance floor into shape.

for the next release on his mb disco label, martin brodin licences *nka mo dira* - one of the biggest downloads in south african music history, which has also had its music video voted as the best of the year by the star newspaper. the track then gets some fine remix treatment from the boss himself as well as full pupp label boss and disco pin up prins thomas.

new debut on be as one, from a well respected and talented artist, who conquered critics and fans both for the quality of his tight productions and the lush sounds of his dj sets, italian born alex picone. it takes time ep is made up of 3 very unique, carefully crafted works, each one with its own strong character. another time opens the ep with a 909 classic sound and a hypnotic melody that gently set the mood for the following it takes two, which lift up the tone and get the groove rolling.the darker one of the trio, fake room closes the ep injecting uplifting techno energy for the finale. epic ep from a man and his machines.

some two years in the making, glide time is the brand new studio album from is it balearic..? recordings head boys coyote. eight tracks deep, this album sees ampo and timm sure further perfect their approach to modern balearica, ambling from moments of incandescent calm such as the expansive opening track *california jam* and *feel beautiful* to euphoria inducing cuts like the chuggy *swimming* and acid tinged *break on through*. look out for the guitar playing skills of is it balearic...? stalwart max essa too. it is indeed time to glide. switch on and feel the new balearic beat at its best.

midnight moves. thats what comes to mind when you listen to cale parks s n1, preferably at an hour long after dusk has settled around you in some beautiful, insomniac city. parks finds – or more aptly, seeks – beauty and grace in ambience and shadows. n1 starts as pure atmosphere – it feels at first like a sort of lovely sonic nothingness slowly taking form – before growing into the darkly lit, gorgeous moodscape it later becomes. a sensual bassline, a pulsing downbeat, a cinematic piano, strains of italo disco, and the sensation of breezing down a lightless road. if you could make sensuous shapes of the night – imagine kneading the dark itself – it might, at the very best, feel like this. the task of remixing parks s original is taken up by french duo paradis, who can otherwise be heard making music on tim sweeney s beats in space label. the paris-based producers shine a brightening light on parks s dusky creation, quickening its pulse and trading in its darkwave undercurrents for enlivening techno and house. theres an element of floating here – a dreaminess in the rhythms, an astral aspect to the keys beaming through the beats. and with the addition of vocals, sung in french – a pop finishing touch on a song that already feels like an earworm – the transformation is complete. this excellent introduction to cale parkss music is also his debut release on the hakt label.

achim maerz takes electronic abstraction back to a state of organic harmony and rythm. his ep >long time no see< reveals a soundscape of intimacy and evolving grooves. reduction broadens its horizon. all sounds are carefully placed and a sustaining atmosphere keeps developing from song to song. still each one is an individual scenery of its own. >keys of my soul< delicatly moves through wide rooms while >shake, shake, shake< leads closer to the core of groove. the backbeat driven >system< already possesses a pushing groove which mutualy connects it to >long time no see< with its warm pulsating baseline. achim maerz approach to house shows how much is possible if self-limitation leads to creativity.

following up his groovin ep, french house producer kool vibes releases his second ep, time & chances, for his own kv label. stepped rhythms, phased hats and soul-grunting vocals in *get u down* make for a lush and playful take on four-four french-tipped house, while *high up* features short sustained rhode stabs and 90s vocal shouts. *time & chances* is a little rougher in its musicality and drum processing, adding some jazz elements, whereas traditional house combos come to the fore in *something i m feelin*, as chords and crashing hats lock in and out of each other with electric flow.

rhythm plates re-emergence through their pressed for time label continues apace on this second release, a split 12 inch that pairs a new cut from matlocks finest with solo productions from ant plate as yse and yse saint laurent. hissy warehouse beats, simple chord vamps and rapturous oh-vocals characterise yses dryish yet muscular 99% invisible, whilst plates yse saint laurent contribution when you love me pairs some r&b vocal sampling with drawn out synths and wispy percussion placed on top of a grooving bassline similar to bernard badies 09 mojuba hit move to the beat. rhythm plates submission, i think i ve dreamed this before adds a warming calmness to the ep, allowing a spirited synth line to traverse its arrangement like a geisha float-walking through an japanese garden of snowy arpeggios and moss covered basslines.

as the summer heats up, future disco highlights its future stars and pinnacle sounds with three unreleased and exclusive tracks selected from the brand new poolside sounds vol.ii compilation. a1 is classic bonar bradberry with 3two5 featuring his own vocals. flip to b1 and newcomer kiwi with the blissful mayfly and amy skippings vocals. b2 sees an exclusive future disco odyssey edit of artful & ridneys vocal house cut missing you.as with every future disco sampler the number of copies is limited.

for its fifth offering, croatias burek label is proud to present the first ever solo ep by snuffo, one half of the snuff crew duo and the a&r mind behind snuff trax. the 2 slices of stripped down, dusty old school chicago house are almost bipolar in nature.

vinyl only! simon haydos newly founded dem imprint is building its foundation on continuity. moody, uncompromised techno sums up dem’s second coming.

balance, the prescription sub-label, released its first 12&#8243,, in 1995 with this project where glenn underground first introduces his cvo alias. now this stunning sju reissue brings both mixes of “party time” to the a-side and the flip brings the deep house classics “mighty real groove” & “bonus .

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco #18, cut me gently by beard in dust comes from behind the iron curtain. on a recent tour of russia, sleazy mcqueen had the fortune of meeting a friendly moscovite with an excellent selection of re-edits gathering dust on the hard drive. from the stab- centric *it shouldnt work, but it does* re-edit of grapevine to the cosmic groover, revolution in morder, the straight up boogie of highest mountain and the laidback ease of cant get enough-- more than most, this really does offer something for all (groovy) dancefloors.

discos casablanca is back... and you know its hot when they drop it! two excellent edits from cvlt, somewhere between wave / cosmic / flamenco / psych blues. hand stamped and hand numbered edition of 300. no repress

constantly providing quality over quantity toby tobias finally releases its debut on burek. and as his biography states: >tobys music is truly unique - in a genre now saturated with generic, formulaic music, toby is one of the few who can claim to have his own sound< so toby brings to burek its unique view on house music - tracks running away i tres mal.

fantastic reissue of two highly sought-after disco gems from canadian indie label attic. first up is sparkles awesome and very rare piece of jazzy disco-funk >disco madness< from 1979. a soaring high-voltage killer of a tune, it sports a pacy bassline supported by high-quality breaks and über-funky guitar riffs. flip over for the great que tal america!< from two man sound who despite hailing from belgium managed to create this monster latino classic. seamlessly fusing samba, jazz, bossanova and disco, this record was a huge underground anthem in new york back in the 70s. with its immensely funky salsa grooves and fabulous rhythm combo, you can understand why this track has been sampled to death. unmissable disco at its finest - sheer class!

welcome aboard amen brother - a new dublin based label providing an outlet for the expertly curated sound of the underground psychedelic soul, funk & disco they champion at their night of the same name. amen brother launches with a debut release from their own amen brother disco band. abdb lines up a selection of lovingly amended tracks for different moments of the night while remaining true to amen brothers signature psychedelic sound. the a side opens with the peak time rumbling and percussive sounds of >afreeka<, an afro-esque track with hypnotic male vocal chants and rising melodies. side b kicks off with the raw phased guitar sounds of >gonna get some< and quickly moves into its sleezy funk groove and sassy female vocals. >rollin & sinkin<, closes the b side with a catchy folk track whose funky guitar based groove and male vocal finish off the debut release perfectly.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts...

the question of time label teams up with portuguese producer alvaro brites for a brand new ep of quality house grooves…
london based question of time have been making all the right moves this year, releasing records from the likes of aqob, tingle town and label boss j daniel and garnering support from the djs such as terry francis, xpress-2 & silicone soul. with an emphasis on quality electronic music, encompassing the best of house and techno, the imprint draws on its considerable history whilst looking firmly forwards in partnership with some of the best producers around.

nice price deal !!! castratiis first long-player of witchy doom pop. beware, its easy to get by listening to eora